Monday, July 29, 2019

Prussian Infantry Blankets from the Paintings of Hyacinth de La Pegna


Detail from La Pegna, Maxen, HGM
Dear Reader,

Today, we are going to look at examples of Prussian infantry enlisted-men's blankets as drawn in the paintings of artist Hyacinth de La Pegna. La Pegna is famous for his many excellent eighteenth century battle scenes, ranging from the Battle of Assietta to fighting in the Austrian Netherlands, to his most famous painting in the English-speaking world: The Ambush at Hochkirch.

La Pegna's Surrender at Maxen, HGM
The subject of Prussian soldiers' blankets is mentioned in contemporary sources A special thanks to Christoph Koester for sending me Musketier Dominicus' comment on blankets: "Then the Prince of Zweibruecken stopped by, and said that since the men had on an old clothing issue, it was getting cold, they should take the tent blankets. We were happy, and they issued them to us. Those who had no blankets carved up old tents, and took pieces of them."[1] An anonymous letter from an Unteroffizier in Regiment Nr. 3 (Anhalt) described the situation on the night of September 30th, 1756: "Our Tornisters were our pillows, the earth was our bed, and the heavens were our blanket." He had failed to retrieve blankets from the supply train for his Leutnant, as a result of a skirmish between the outposts of the army and enemy Grenzer. [2] We know that at least according to the infantry regulations, each Prussian tent squad was supposed to be issued with two blankets.[3]



La Pegna's Battle of Hochkirch, HGM



I had the opportunity to examine two of La Pegna's paintings up close  at the Heeresgeschichtliches Museum in Vienna a few weeks ago. In that museum, there are two paintings, both by La Pegna, which depict Prussian blankets. Both of these paintings, the Attack at Hochkirch, and the Surrender at Maxen, were completed during the later years of the Seven Years War. The first painting, rather well known, is the detail below from La Pegna's depiction of the Battle of Hochkirch. The detail shows an Austrian grenadier and two fusiliers chasing a woman from a Prussian tent, with a camp bed and blanket prominently depicted in the tent itself.


Detail from La Pegna, Hochkirch, 

The remaining images, as well as the image at the topic of the post, come from a second painting by La Pegna: the surrender of Finck at Maxen. Here, Prussian troops are shown grounding their weapons and surrendering to Austrian forces, in cold weather. The temperature is apparent from a number of factors including the fact that many Prussian soldiers have their hands thrust inside their coats. I'll continue the textual narrative below, after having allowed you to examine the images.


Detail from La Pegna, Maxen, HGM

Detail from La Pegna, Maxen, HGM

Detail from La Pegna's Maxen, HGM
Detail from La Pegna, Maxen, HGM
With the following images, I believe that it might be proper to conclude the following: La Pegna believed that in Prussian camps, and on surrender marches, the Prussian army was equipped with rectangular blankets, white or off white in color, surrounded by two blue stripes (one blanket appears to have three, but that it is an isolated example.) The images above seem to indicated that the blankets were available to Prussian soldiers, not just officers, as the officer in the first of the four images does not have a blanket. It does not appear, at least to me, as though the soldiers depict in this image have formally turned their blankets into blanket coats, but I am open to those with contrary evidence on that point. However, the blankets have been made to a size where it was quite easy to wear them while walking in cold weather.

Obviously, this has been a rather cursory investigation of blankets in the Prussian army during the Seven Years War-era. If you have more information regarding Prussian army blankets in the middle of the eighteenth century, please let us know via the comments below, or via email, found on the about the author page.

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Thanks for Reading,





Alex Burns



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[1] Tagebuch von Musketier Dominicus, s. 77
[1]Curt Jany, Urkundliche Beitraege und Forschungen zur Geschichte des Preussischen Heeres, section 2, pg. 2. 1901.
[2] Reglement vor die königl. preussische Infanterie, 1750, pg. 297. 


5 comments:

  1. Alex, I've really enjoyed your updates from Vienna this summer. Interesting and informative. Thank you!

    Best Regards,

    Stokes

    ReplyDelete
  2. Alex, A quick couple of comments... The three stripe blanket is typical of English striped duffels from the early 1700's to the mid 1800's. See also Johann von Bremen's "undressing the baby" 1880 for the red striped version. Two striped blankets are painted here rather generically and are not historically as common as one would imagine. See Johannes Christian Janson's (1763-1823) "An amorous couple in a window..." and Carl Spitzweg's "Der Arme Poel"1839. In North America, stripes around all 4 sides of a blanket point to home manufacture in Canada. Something to think about, Thanks, Rob Stone

    ReplyDelete
    Replies
    1. Rob- thanks for your thoughts. Do you have information which would give a better window into the type of blanket used by the Prussian Army during the Seven Years War than these paintings? I'd love to find out more about this topic. While you have cited some images from German Central Europe above, I don't know that they are localized to the Seven Years War.

      Thanks,

      Alex

      Delete
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