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Tuesday, January 21, 2020

On this Day in History (1720): The Treaty of Stockholm

The Town of Anklam, drawn in 1758


Dear Readers,

On this day in the 1720s, Prussia made peace with Sweden. The Prussian portion of the treaty of Stockholm, which ended this portion of the larger Great Northern War, gave territory to Prussia, and badly needed cash to Sweden, which was still struggling against Russia and Denmark. King Charles XII of Sweden died at the Siege of Fredricksten in 1718, and the new Swedish King, Frederick I, and government sought to rapidly end the war. As a Hessian prince, Frederick I was only too willing to negotiate with Prussia and Hanover, seeking to draw them out of the war via territorial concessions, and use them as leverage against Russian occupation of large portions of Swedish territory in Estonia and Livonia.  

In reality, only the area south of the red line was given to Prussia
Stettin (Szczecin), a large and important city on the river Oder, was given over to Prussia. Prussia also gained Pomeranian territory south of the river Peene. Frederick William I, the King of Prussia, had significantly expanded for very little expense. Smaller towns, such as Damm, Gollnow and Anklam were also ceded to the Prussians. This area would be contested by Sweden again in the course of the Seven Years War, but remained in Prussian hands. 

A plan of the city of Stettin around 1720
For their part, the Swedes gained 2000 Riksdaler for the loss of these territories. This cash was desperately needed by the Swedish government, which had been at war for approximately twenty years. Unfortunately for the Swedish, the removal of Prussia (as well as Hanover and Denmark by July 1720) from their coalition of enemies did little to influence Russia.[1] Swedish power was decisively broken at the Treaty of Nystad in the following year. 

The Berlin Gate at Stettin, erected in the
era of Frederick William I
Three hundred years ago today was a surprisingly important moment in the history of central and eastern Europe. It helped to confirm what was already apparent, that Sweden, which for a generation had dominated the Baltic world, was beginning to give way to Russian power. It was not apparent to observers at the time, however, that Prussia was consolidating its power in ways which would have profound consequences for the history of Europe over the next three hundred years.

(And yes, I realize that as a result of the change in calendars in the 1750s, the "real" anniversary for this event is February 1st.)

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Alex Burns

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[1]Robert I. Frost, The Northern Wars, 296.  


Monday, January 6, 2020

Following the Armies: Contemporary Images of Military Women and Children in German Central Europe

A reenactor portraying a Prussian Soldatenfrau
late in the Seven Years War

Dear Reader,

Today, I would like to present several contemporary images of women who followed Germanic Armies during the Eighteenth Century. These women, often the wives of soldiers, traveled alongside the armies of Frederick the Great and Maria Theresa. The first four images come from the collection produced by Johann Christian Becher, Wahrhaftige Nachricht derer Begebenheiten drawn during the Seven Years War.


A Franconian Sutleress, Becher
The first woman, a sutler of some means, wears a red sleeved waistcoat and dark blue jacket and petticoat. Her shoes are obscured, but she wears a round, shallow-crowned felt hat with a red ribbon. Her cart/wheelbarrow contains a cask, bags, and she is pictured with a "Coffee Machine" according to a different version of the same image.  The cookware is not blackened. 

An Austrian Sutleress and her family 
There are some similar elements of dress in this image, showing a black felt round hat, likewise tied with a red ribbon (both are knotted on the right of the wearers' crown). This woman has three children, two walk barefoot, and the third is kept tied around the woman's body. Like the Franconian woman above, this woman wears a dark colored jacket with a bit of red at the sleeves. She appears to have a patterned apron and light colored petticoat with red striping. Her daughter carries a walking stick, bottle, and wine skin or draw-string bag, and has a pink sleeveless top over her shift, a green petticoat, and blue apron. Her son wears a round felt hat, worn knee breeches, and a cream woolen waistcoat. 

A Wuertemberger Soldier's Wife
This woman carries a small child on her head, tied to a basket. She has a straw hat, a long cream-colored woolen or linen frock coat, a black waistcoat, and a white cloth around her neck. Her apron is white with blue floral patterning, and she wears a blue petticoat. She has something strapped to her back and a small keg with a strap. 

A Grenadier's Wife from Mainz, her family and equipment 
This women wears a blue jacket and petticoat, her head is tied in a scarf, and she wears no hat. Her eldest daughter cares for a smaller child on the back of a donkey, in a grey top and petticoat with a light colored neck-cloth and straw hat. The woman appears to have light brown shoes, the daughter wears red shoes. The women leads the donkey and has a walking stick, and what appears to be a linen wallet on her back. 

A French Sutleress and a Hungarian Hussar's wife
The French sutleress (left) wears a brown brunswick or long jacket, what might be a military canteen or a glass bottle, a pink cap, a blue apron and green striped petticoat. The Hungarian woman wears a sleeveless green top, no discernible shirt, a loose head covering underneath a military-style laced cocked hat, a blue hussar's jacket, and a white striped petticoat. Somewhat memorably, she carries a strand of garlic in her right hand, and a chicken or some sort of fowl in her right hand. 

The next few images come from details of the military art of Hyacinth de La Pegna, an  artist who commemorated the Hapsburg victories of the Seven Years War. 


This image shows a Prussian soldier's wife with a blue jacket, red petticoat, and white cap. Her baby, on her back, is swaddled in green cloth. 


This woman, with an orange jacket, white shawl/neck cloth, and white cap wears a red petticoat and has her shirt sleeves tucked into the arms of her jacket. She appears to have some sort of wallet/blanket around her middle, held in her right hand. 


This painting shows Prussian women in states of relative undress as a result of the early morning surprise attack at Hochkirch in 1758. The woman on the right appears to have a white/rose colored cap, and she has her sleeves rolled up, and wears her stays. On the left, a women holds a child in while wearing similar clothing, but appears to have a brown/orange blanket of some sort draped around her. 


This scene, also from the downfall at Hochkirch, appears to show a woman in matching sleeveless top and petticoat fleeing from a tent with a blanket around her middle.  She wears a white cap, and sleeves rolled to above the elbow. 

Pro-Prussian Silesian Woman, surrender of Breslau
This image, taken from a commemorative print of the surrender of Breslau, shows a pro-Prussian Silesian woman, with a dark colored petticoat, light-colored jacket with a light-colored shawl and cap. 
The Begging Soldier's Wife, Daniel Chodowiekci

This image, by Prussian painter Chodowiecki, shows a women with a jacket, two military style cocked hats, a market wallet, some type of leather or linen bag, and a light colored petticoat. As a result of her market wallet, it is difficult to definitively address some of her clothing. 

From the above sources, it is clear that some women wore old or unused cocked hats, and occasionally wore military style coats/jackets. Patterned aprons and blue aprons appear in multiple images, as do petticoats with stripes near the bottom. 

If you enjoyed this post, or any of our other posts, please consider liking us on facebook, or following us on twitterConsider checking out our exclusive content on Patreon. Finally, we are dedicated to keeping Kabinettskriege ad-free. In order to assist with this, please consider supporting us via the donate button in the upper right-hand corner of the page. As always:

Thanks for Reading, 


Alex Burns